Review of GÖTTERDÄMMERUNG, by REGENTS OPERA, London, Spring 2025
Wagner fans will travel the globe to attend productions of his Ring Cycle. Between 1977 and 1984 the Pacific Northwest Festival in Seattle mounted the entire Ring Cycle, one week performed in German and then the following week in English. For creator, Glynn Ross this project was an extraordinary achievement. Fans, critics and impresarios from around the world came to hear and see this remarkable feat. Outside of Bayreuth, the Pacific Northwest Festival crafted their ambition and achieved a production that could rival any opera house in the world. The budget was slim, but the payoff from the respect that this project earned was huge.
Over the past several years a small independent opera company in London, Regents Opera, have realized a similar vision. And with it, Conductor, Ben Woodward has made musical history. With his tenacious approach to private fund raising and use of a smaller orchestra, Maestro Woodward has managed to build Regent Opera’s Ring Cycle into a triumphant production.
With his own orchestral arrangement of Wagner’s masterpiece scaled down to 22 players, Maestro Woodward has managed to keep the required rich sound while staying within budgetary requirements.
Review of Pablo Larrain’s Film Maria (2024)
To me, it’s a difficult journey watching a Pablo Larrain film, whether it is “Neruda” or “Jackie.” And watching “Maria” with Angelina Jolie was no different. I have read the very honest and heartfelt reviews on this film from professional singers and am reminded again that we are all perhaps as fragile as Callas in her last days.
Larrain is a filmmaker who likes his trilogies and this film follows suit after “Jackie” and “Spencer” where he lays out a canvas of empathy for his heroines…but not without the burden of darkest friction. Two qualities that can create great art and indelible performances as performers know. But it strikes me that it is the emptiness of legends that Larrain seems to have the most profound relationship with. In “Maria” perhaps he has found his most successful subject. Her life was laid waste in the latter years with her desperation of living in loneliness. And to me, that is the centerpiece of this picture. Loneliness.
This is Pamela Kuhn and this is my Turner Classic Movie movie moment!
Years ago when I lived in London, I remember seeing some war reels on the BBC from the iconic film director, John Ford. Shot in black and white, I was overwhelmed by the beauty and impressionistic feel they conveyed on a subject that was painful to watch. If I was not aware of the range of John Ford’s work then, I immersed myself in his filmmaking thereafter. So I am thrilled that Turner Classic Movies in their 5th series of the marvelous podcast, “The Plot Thickens” presents “John Ford, Decoded.”
Narrated by Ben Mankiewicz, the series takes on the mystery of the legendary director. Filled with interviews from actors, stuntmen and those who were directly involved with Ford, the series takes a deep dive into the history of a man who could sometimes hide behind a mask and be withdrawn. Many of those commentaries have never been broadcast. Irascible, moody and tough was John Ford’s framework. Or, as Katharine Hepburn referred to him, “You are just odd!”
The series ranges from his early days under the shadow of his successful actor/producer brother, Francis to his risk taking in remarkable filmmaking; his friendships with John Wayne and Ward Bond, his ability to define America through his artist’s eye while making his own rules with studios and the search for the lost footage of D-Day. TCM is pulling back the curtain on this legend. Not to be missed! The series opens on June 6th… be there! Go to TCM.com.

2024 TCMFF Recap:
Sunday, April 21
Highlights:
- Mel Brooks introduced a closing night presentation of his film Spaceballs(1987) marking his 7th appearance at the TCM Classic Film Festival
- Alexander Payne presented a world premiere restoration of The Searchers (1956), restored by Warner Bros. with The Film Foundation
- The Mont Alto Orchestra performed alongside The Goat (1921) and Sherlock Jr. (1924)
- Cora Sue Collins appeared at a presentation of The Sin of Nora Moran(1933), a film she starred in at 6 years old
- The TCM Hosts made a toast to TCM’s 30th anniversary at the Closing Night Party
TCM’s Acclaimed Podcast The Plot Thickens Returns for Season Five Focusing on John Ford
From Turner Classic Movies
Turner Classic Movies’ (TCM) award-winning podcast The Plot Thickens will premiere season five, Decoding John Ford, on June 6, co-produced by Novel. Host Ben Mankiewicz strips back the mythology to reveal Ford’s brilliance – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. This season features scores of never-before-heard archival interviews, including John Wayne, Katharine Hepburn, Henry Fonda, James Stewart, Woody Strode, and John Ford himself.
TCM presenters introducing the new podcast!

TCM presenting The Plot Thickens

Pam with TCM host Jacqueline Stewart
SERIES HIGHLIGHTS
Native American Conductor,
Timothy Long
and his legacy of music – pt. II
Christmas Movie Trivia Special
Center Stage With Pamela Kuhn & Guest Matt Mickelson
American Impressionist,
Dmitri Wright
…the painter with the soul of a philosopher!
Erica Miner
…Puccini, Wagner, Verdi and of course, Overture To Murder!
Actor,
Chris Sarandon
and his quest with podcast “Cooking By Heart!”
Academy Award winning makeup artist
Lois Burwell
…the “Alchemist of Film”
Turner Classic Movies presenter, host, and author
Dave Karger
…his is a wonderful life!
Conductor, Ben Woodward…
his passion for the Ring Cycle andhis success for self funded projects!
Singer/Songwriter, Alan Walker…
aging well with his fine music!
Orchestra Lumos lighting the way once again
with Anthony Parce and Valerie Bolling!
After a Year Without Crowds, Caroline Polachek Takes the Stage
By Jia Tolentino
September 10, 2021
Polachek had told me that Kuhn, her opera teacher, sometimes made her sing bent over, with her hands on her knees, as if her voice were spilling the notes out violently onto the floor. Kuhn told me later, “I’ve seen her at her weakest. I’ve seen her underbelly. I would say to her, over and over, that the great artists are the ones who have the ability to get to a raw sound, who can let the idea of perfection go for a moment and give us a direct line into their soul.”
